Kim Wilde - Wikipedia. Kim Wilde. Wilde performing in 2. Background information. Birth name. Kim Smith. Born(1. 96. 0- 1. November 1. 96. 0 (age 5. Chiswick, Middlesex, England. Genres. New wave, synthpop, Hi- NRG, pop rock. In 1. 98. 3, she received the Brit Award for Best British Female. Fanschals, Schals, Decken & M. Between 1. 98. 1 and 1. Top 5. 0 of the UK singles chart. Olivia Wilde, Actress: Rush. Actress and activist Olivia Wilde is a modern-day renaissance woman. Starring in films and popular television shows, Wilde shares the screen with renowned actors while simultaneously giving back to. Her other hits include . In 2. 00. 3, she collaborated with Nena on the song . Starting in 1. 99. Early life. The eldest child of 1. Marty Wilde (birth name Reginald Smith) and Joyce Baker, who had been a member of the singing and dancing group the Vernons Girls, Kim Smith was born in the West London suburb of Chiswick and attended Oakfield Preparatory School, in the Southeast London area of Dulwich. When she was nine, the family moved to Hertfordshire, where she was educated at Tewin and later Presdales School in Ware. In 1. 98. 0, at age 2. St Albans College of Art & Design. Kim Wilde, was signed to RAK Records by Mickie Most. An instant success, it reached number two in the UK Singles Chart and scaled the Top 5 in other countries such as Germany, France and Australia. Her debut album Kim Wilde repeated the success of the single, spawning two further hits in . Both were number 1 hits in France and reached Top 1. Germany and Australia. At the time, there was some controversy about Wilde's hesitation to do live concerts. The failure of the album led to her leaving RAK and signing with MCA Records in the summer of 1. The video for this song appeared in an episode of the 1. TV hit Knight Rider in 1. All of Wilde's songs up to this point, including all her major hits, had been written by her father Marty and brother, Ricky. On Teases & Dares she penned two songs. Meanwhile, Wilde had embarked on three European concert tours (1.
The album's lead single . With that hit, she became the fifth UK female solo artist ever to top the US Hot 1. Petula Clark, Lulu, Sheena Easton, and Bonnie Tyler. We changed quite a lot of the song and I think that's why it was so successful. It was a very spontaneous idea. It produced four major European hits: . The release of the album coincided with a tour of Europe, where she was the opening act for Michael Jackson's Bad World Tour. The album barely made the UK Top 4. Top 1. 0 success in Scandinavian countries, it failed to sell as well as its predecessor and only spawned two minor hits, . She toured Europe again, this time opening for fellow Briton David Bowie. The album's success was again limited to a small number of countries, though the single became another Top 2. UK. However, there were problems with her record company . Subsequently, Wilde abandoned the album which remains unreleased. The single was a Top 1. Germany, Belgium, Austria, Netherlands and Switzerland. The second single from the album, which was voted for by fans on her official website was . The song reached the Swedish Top 3. The label released her eleventh studio album, Come Out and Play on 1. August. Two further singles failed to reach the chart. Kim toured in support of the album in Germany in March 2. In November 2. 01. Wilde was featured as the lead vocalist on Reflekt's . American pop star Tiffany recorded a version of . German eurodance act Cascada, recorded a version of . Other artists to cover Kim Wilde songs are Apoptygma Berzerk, Atomic Kitten, Bloodhound Gang, James Last and Lasgo. East German punk rock band Feeling B also recorded a song called . In 1. 98. 5, French singer Laurent Voulzy paid tribute to Wilde in his song . In her graphic novel Persepolis, Iranian cartoonist Marjane Satrapi has a comic strip titled Kim Wilde. In it the main character Marji, a young Iranian girl, sings . Also, when her parents go on holiday in Turkey, they buy a poster of Kim Wilde and smuggle it into Tehran for Marji. Marji pins the poster on her bedroom's wall and practises emulating Wilde. As a celebrity, she was asked by Channel 4 to act as a designer for their programme Better Gardens. She has also created gardens for Flower Shows across the UK and received, with David Fountain, an entry in the Guinness Book of World Records for successfully moving (from Belgium) and replanting the world's largest tree in January 2. The first, Gardening with Children, was released on 4 April 2. Collins publishers. For two years, she featured on adverts for the highstreet health food shop. Holland & Barrett. She wrote infomercials for Bold. RPR1 and Berliner Rundfunk in Germany. Personal life. On 1 September 1. Wilde married her co- star in Tommy, Hal Fowler, and expressed a desire to have children as soon as possible. Retrieved 1. 4 August 2. Retrieved 2. 9 February 2. Retrieved 2. 7 February 2. Retrieved 1. 4 August 2. Retrieved 2. 1 April 2. Retrieved 2. 0 April 2. Retrieved 2. 1 April 2. Retrieved 2. 0 April 2. Retrieved 2. 0 April 2. Retrieved 2. 0 April 2. Retrieved 2. 0 April 2. Retrieved 2. 1 April 2. Retrieved 2. 2 October 2. Retrieved 2. 0 April 2. Retrieved 2. 0 April 2. Retrieved 2. 0 April 2. Retrieved 2. 0 April 2. Retrieved 2. 7 February 2. Without Boundary: Seventeen Ways of Looking. Wilde Life - Official Kim Wilde Fansite, 5 May 2. All about Alice Kim Wilde Gardens Archived 2. April 2. 00. 7 at the Wayback Machine. Gardening with Children. Retrieved 2. 9 September 2. This connection results as much from the lurid details of his life as from his considerable contributions to English literature. His lasting literary fame resides primarily in four or five plays, one of which— The Importance of Being Earnest, first produced in 1. His only novel, The Picture of Dorian Gray, is flawed as a work of art, but gained him much of his notoriety. This book gives a particularly 1. Wilde published a volume of poems early in his career as a writer. Some of these poems were successful, but his only enduring work in this genre is The Ballad of Reading Gaol. On a curious but productive tangent to his more serious work, Wilde produced two volumes of fairy tales that are delightful in themselves and provide insight into some of his serious social and artistic concerns. His significant literary contributions are rounded off by his critical essays, most notably in Intentions (1. Lord Alfred Douglas, De Profundis, written in 1. Reading Gaol. Imprisonment for homosexuality was a particularly tragic end for an artist who believed that style—in life as well as art—was of utmost importance. That Wilde became a literary artist in the first place is not so surprising since, as H. Montgomery Hyde reported in Oscar Wilde: A Biography, his mother was a poet and Irish revolutionary who published under the name . His mother doted on him as a child and, according to Hyde, . William Wilde was a notorious philanderer, and, in an ironic foreshadowing of his son's famous trials, suffered public condemnation when a libel case disclosed his sexual indiscretions with a young woman named Mary Travers. Oscar Wilde was a brilliant student in college, first at Trinity College, Dublin, where he won the Berkeley Gold Medal for Greek, and later at Magdalen College, Oxford, where his poem . It was at Oxford that Wilde came under the influences of John Ruskin, a critic, writer, and professor, and Walter Pater, a critic and essayist whose Studies in the History of The Renaissance legitimized Wilde's nascent ideas on art and individualism. Most of the poems in this volume had been previously published in various Irish periodicals. The collection met with mixed reviews, less favorable in England than in America. Wilde may be aesthetic, but he is not original. This is a volume of echoes, it is Swinburne and water. They are in fact by William Shakespeare, by Philip Sidney, by John Donne, by Lord Byron, by William Morris, by Algernon Swinburne, and by sixty more. Some of these early poems—. An ethical sympathy in an artist is an unpardonable mannerism of style. Perhaps the best poems of the 1. This most exotic of all Wilde's poems begins with the raven- like sphinx planted in the corner of the poet's room and proceeds through a series of imagined scenes in which the sphinx is depicted as a goddess, a prophet, and a lover. Reviewers criticized the work for being sensational and artificial, but later critics have found some notable qualities; in San Juan's words, . Frances Winwar, in Oscar Wilde and the Yellow Nineties, described this social aspect of his fame: . He would do nothing in moderation—except work. But then, his real work was accomplished when he talked. Before a group of listeners, especially if they were young and handsome and titled, he outdid himself. In the spark of their admiration his mind quickened. Epigram followed epigram, one more dazzling, more preposterous than the other, yet always, like the incandescent core of the firework, with a burning truth at the heart. A few of the stories in the first volume, particularly . This is particularly true of the stories in The House of Pomegranates, which generally have more elaborate plots and a more mannered style than do those in The Happy Prince and Other Tales. When asked if the tales of the second volume were intended for children, Wilde replied in a typically flippant way: . I hardly know whether to admire more the wise wit of 'The Remarkable Rocket' or the beauty and tenderness of 'The Selfish Giant': the latter is perfect in its kind. A few of them are minor prose masterpieces, most notably . This message foreshadows some of Wilde's ideas in his later work The Soul of Man under Socialism. Wilde's love of beauty and his conception of its fleeting quality find expression in this story of a nightingale who sacrifices its life to produce the perfect rose. In the story's final satirical twist the beautiful rose is rejected because it does not match the color of a young girl's dress. In Oscar Wilde, Robert K. Miller declared that this ironic turn reveals Wilde's . The imaginative sympathy of the giant is similar to that which Wilde ascribes to Christ in his later work, De Profundis. Quintus in Virginia Quarterly Review as . Both Quintus and Miller emphasized Wilde's moral point of view in these stories. This element has already been seen in some of the early poems, and it reappears in Wilde's novel, The Picture of Dorian Gray. Quintus was careful to point out, however, that . In July of 1. 88. Wilde gave up the editorship of Women's World and settled down to write The Picture of Dorian Gray. This is Wilde's only novel, a blend of French decadence and English gothicism. It is filled with genuinely witty dialogue and beautiful descriptive passages, while sometimes descending to the level of slick melodrama and ponderous theorizing. The novel details the life of a hedonistic aristocrat, Dorian Gray. When Dorian sees the portrait that Basil Hallward paints of him, he wishes he could change places with his likeness, remain always young and beautiful, and allow the portrait to bear the effects of time—and, as it turns out, the effects of sin. As in the world of the fairy tale, the wish is granted, but at a terrible price. At the time he was writing The Picture of Dorian Gray, Wilde became friendly with Robert (. Montgomery Hyde, in Oscar Wilde: A Biography, cited . I heard a clergyman extolling it, he only regretted some of the sentiments . A particularly scathing attack in The Scots Observer made a veiled reference to Wilde's homosexuality and suggested he take up tailoring or some other . For the novel's hardcover edition, published the following year, Wilde made some changes, most important of which was the addition of six chapters and the famous epigrammatic preface. Perhaps surprisingly, the reviews this time were more favorable. Walter Pater praised the book highly, and, as Hyde reported in Oscar Wilde: A Biography, Irish poet and dramatist William Butler Yeats wrote that . Joyce Carol Oates in Critical Inquiry described the novel as a . His life becomes a series of one- night stands, each encounter briefer than the last. The painter Basil Hallward, for all his goodness, sublimates his true feelings in the beautiful portrait. Lord Henry Wotton, for all his theories about the importance of indiscriminate experience, does not act. And Dorian Gray, whose actions with others lead him only to the point of prizing things such as tapestries, jewels, and vestments, unconvincingly tries to redeem himself with the village girl Hetty, but succeeds only in ending his life in a melodramatic fashion. Though hastily written and clumsily constructed, it manages to haunt many readers with vivid memories of its visionary descriptions. From the reader's viewpoint, the picture suggests the treatment of angle and distance—the ways of telling and showing—which make up the perennial issues of the aesthetics and criticism of fiction. It is rather because of his dramas that Wilde's reputation has remained most secure. Louis Kronenberger, in The Thread of Laughter, mentioned Wilde together with the great eighteenth- century dramatist, Richard Brinsley Sheridan: . Though Wilde wrote nine plays in all between 1. Lady Windermere's Fan,A Woman of No Importance,An Ideal Husband, The Importance of Being Earnest—and the strange and infamous Salom. Written first, Salom. Britain's Lord Chamberlain, responsible for licensing stage performances, banned the play on the technical grounds that it portrayed biblical characters, which was forbidden since the days of the Protestant Reformation. The play no doubt offended on other grounds as well, such as those expressed by a critic in the London Times in 1. This exotic one- act play has more the atmosphere of the earlier poem The Sphinx in its variations on the themes of obsession, lust, incest, and violence. Richard Ellmann, in Oscar Wilde: A Collection of Critical Essays, described this unity as . While the play exhibits a few traces of a moral point of view—Jokanaan's rejection of Salom. This impression was undercut for critic Alan Bird, who, in The Plays of Oscar Wilde, contended that even in this play Wilde's wit shows through: . This suspicion of parody, however faint, produces an intentional distancing, a deliberate alienation, which far from allowing us to dismiss the drama seems to increase the total effect of decadence. This play and his last, The Importance of Being Earnest, reveal Wilde at the height of his powers, dealing in a sure way with those things he knew and did best—portraying the upper crust of society, creating characters who could mouth his brilliant epigrams and paradoxes in amusing, if conventional, plots. These plays use much of the typical material of the comedy of manners: mistaken identities, sexual indiscretions, cases of unknown parentage, and social snobbery. Lady Windermere's Fan,A Woman of No Importance, and An Ideal Husband also deal, in varying degrees of seriousness, with Wilde's favorite themes of the loss of innocence and the assertion of individuality. Lady Windermere's Fan was originally produced by the actor- manager George Alexander before a thoroughly appreciative audience. It ran for 1. 56 performances and solidified Wilde's position in the fashionable society he so much aspired to. He retained this exalted status for only three years before his trial for homosexuality made him a convict and a social outcast. But while his fame lasted Wilde enjoyed it with his usual flair.
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